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The New Renaissance Blog

Connecting, Equipping and Inspiring Churches and Artists for the New Renaissance

Here is an interesting story. A small German town on the Bavarian border is constructing a Catholic Church from snow. Very creative!

See more pictures here.

What looks like vandalism is part of message

Updated: Thursday, 08 Dec 2011, 7:54 AM CST Published : Tuesday, 06 Dec 2011, 10:40 PM CST

  • Calily Bien

AUSTIN (KXAN) – An unusual work of art at  St. David’s Episcopal Church in downtown Austin is causing passerby’s to take a second glance and some are even calling the cops.

St. David’s, at the corner of East 8th Street and San Jacinto, is taking a new approach to getting the Christmas message across.

The church commissioned one of its young members to “tag” the outside of the Church with graffiti.

"The Light Interrupts". Advent graffiti outside St. David's Church.

The artwork starts on the retaining wall in front of the church and will end up wrapping around the side; the artist will add to it each of the four Advent weeks leading up to Christmas.

“Our point is that Advent is God interrupting the world with the coming of the Christ. And we were hoping that we’d get people’s attention by doing this,” said David Boyd, Rector at St. David’s.

The church caught more than people’s attention.

When the artwork first started popping up, the church was fielding questions from the mailman and even authorities.

“The second week [of the art project], when the young man was putting things up, it was getting to be evening and the police – doing their job – did come and they had handcuffs on him before we stopped them. [We] explained that this is intentional and it’s alright,” said Boyd.

The teen artist has an interesting back-story himself. The artist is a refugee from Burma (Myanmar). His family sought out the church when they came to Austin.

With such an enthusiastic response from the community, Boyd is looking at the possibility of continuing the project.

The church dates back to 1853.

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Reliquary bust of an unknown saint, South Netherlandish (1520–1530) 
By Andrew Graham-Dixon

11:35AM BST 15 Jul 2011

This is a brave exhibition, which sets out to explore the ancient Christian   cult of relics and the enthralling works of art created to house them. Often   the preserve of church or cathedral treasuries, the reliquary is an art of   boxes and caskets, housing mysteries; of amulets and pendants made to hold   and venerate sacred matter itself: the mortal remnants of the saints or   objects once believed to have touched Christ himself.

It is an art housing the most poignant memorials of men and women remembered   as holy: bones, locks of hair, scraps of the bloodstained garments they wore   during the torments of their martyrdom.

Yet more perhaps than any other Christian art form, the reliquary is neglected   – because it has

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For most people, Christmas comes but once a year. For Blaine Hogan, it comes 11 times — then once more in Spanish.

As the creative director for Willow Creek Community Church in South Barrington, the nation’s fifth-largest church, Hogan and his team are putting together Christmas services a dozen times this week.

The megachurch has a $73 million auditorium that holds 7,100 worshippers. That’s a lot, but it’s only a fraction of the number who’d like to attend the Christmas service. So the church is hosting Christmas services throughout this week to accommodate an expected 83,000 worshippers

Read Article HERE

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Truth and the arts in mission

We possess the gift of creativity because we bear the image of God. Art in its many forms is an integral part of what we do as humans and can reflect something of the beauty and truth of God. Artists at their best are truth-tellers and so the arts constitute one important way in which we can speak the truth of the gospel. Drama, dance, story, music and visual image can be expressions both of the reality of our brokenness, and of the hope that is centred in the gospel that all things will be made new.

In the world of mission, the arts are an untapped resource. We actively encourage greater Christian involvement in the arts.

A)    We long to see the Church in all cultures energetically engaging the arts as a context for mission by:

  1. Bringing the arts back into the life of the faith community as a valid and valuable component of our call to discipleship;
  2. Supporting those with artistic gifts, especially sisters and brothers in Christ, so that they may flourish in their work;
  3. Letting the arts serve as an hospitable environment in which we can acknowledge and come to know the neighbour and the stranger;
  4. Respecting cultural differences and celebrating indigenous artistic expression.
From the Cape Town Commitment – Part 2, Section IIA, 5

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by Diana Balazs- Oct. 18, 2010  08:47 AM The Arizona Republic

Sarah Hall designed this pipe organ with mosaic artwork at the St. Barnabas on the Desert Episcopal Church in Paradise Valley.Nearly 50 years ago, the late John Pritzlaff and his wife, Mary Dell, donated  the original organ for the sanctuary of their church, St. Barnabas on the Desert  Episcopal in Paradise Valley.

The 2,768-pipe organ dedicated in February 1962 was built by Casavant Fréres  of Quebec, a company that began making the sacred instruments in 1879.

A large tapestry, “Ode to Joy,” was later added to screen the organ, but  still allow sound to pass through. However, sunlight exposure over the decades  caused the tapestry fabric to deteriorate. And the organ was in need of major  repair, as well.

A new organ combined with a mosaic glass art project replaced the old organ  and tapestry as part of a newly completed $4.5 million renovation of the  sanctuary.

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United Kingdom

Works by Damien Hirst, Sir Eduardo Paolozzi and the late Lynn Chadwick will be installed in the medieval building

By Cristina  Ruiz. Web only Published online: 30 August 2010

The building of Gloucester Cathedral on the site of a Benedictine Monastery began in 1089. Henry III was crowned there in 1216 and Edward II was buried there in 1327

London. A major exhibition of contemporary sculpture opens in Gloucester Cathedral this month.

                Over 70 works by artists such as Damien Hirst, Marc Quinn, Sarah Lucas, Sir Eduardo Paolozzi and the late Lynn Chadwick, among many others, will be scattered throughout the soaring medieval spaces of the building.
The show, entitled “Crucible”, has been organised to mark the retirement of the Dean of Gloucester, Nicholas Bury, who describes it as “the sculpture exhibition of the decade.”
“We’ve never attempted anything so ambitious,” says the Dean who has set up a programme of contemporary art shows and launched an artist in residence programme during his 13 years in charge of the Cathedral. He says he asked the founders of

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'I want people to believe in their own project and create within their own processes something that would evoke the holy or sublime,' Jarad Bingham, pastor of Shady Grove Presbyterian Church, says of commissioning works of art.

It all began with a telephone call. Memphis artist Paul Edelstein picked up the phone several years ago to hear a complete stranger introduce himself, compliment Edelstein on his work, and then tell him about a project he had in mind.

Read the article HERE

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Moscow, August 24, Interfax - Church and modern art could enrich each other, painter Gor Chakhal said, who initiated and monitored Dialogue in the Church exhibition recently held in St. Tatiana Church at Moscow State University.
“Church can help modern art as it knows religion better tan certain artists who are reinventing the wheel,” he said in his interview published by the Vedomosti paper on Tuesday.
According to the artist, if people today want to pursue art “it means they believe in after-life of this art. It is purely religious phenomenon or we have to denounce a notion of art at all.”
Meanwhile, the Church “if she wants to speak modern language with this world also needs modern art,” Chakhal said.
Relations between modern art and Church will be further discussed at his exhibition, which is to open in September at the Tretyakov Gallery.
“We would like to make a historical exhibition in prospect and to present the whole Russian art of the 20th century on religious topic. There were religious artists among Russian avant-garde and painters of the sixties. However, it’s a large-scaled, laborious and expensive project, I can’t say when we’re able to do it,” Chakhal said.

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by Thomas More College on August 23, 2010

A new Catholic art show hosted by the Thomas More College of Liberal Arts’ artist-in-residence, David Clayton, debuted on CatholicTV this week.

Entitled “The Way of Beauty,” this 13-part series examines Catholic traditions in art and how the styles of these traditions relate directly to the liturgy, theology, and philosophy of the Church.

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